It has been a while since I updated this old sucker, mostly due to lack of interest. However, I have been stumbling on too much good stuff lately to not share it.
I have noticed that in researching, listening, and interpretting music and musical artists, that if you look hard enough, a lot of stuff is connected. For example; one of my compositional idols is Mr. John Zorn, a phenomenally talented and prolific avant-garde saxophonist who was awarded the "MacArthur Genius Grant" in 2006 for his virtuoso playing and compositions which transcend genres (notable projects include Painkiller and one of my favorite jazz combos of all time, Naked City). Following that chain, we can come up with a lot of the interesting musical acts that I've been listening to lately.
-John Zorn has worked extensively with Japanese 'vocalist' Yamantaka (Yamatsuka) eYe, the frontman of the crazy Japanese group The Boredoms.
-John Zorn's record label was used for the first several releases of virtuoso guitarist (and all around weirdo) Buckethead.
-Buckethead has done some work and guest contributions with Les Claypool, and his band of note, Primus - the only band given their own genre tag. Awesome.
-Primus have toured with genre-bending funk-metal act Mr. Bungle - fronted and arranged by a Mr. Mike Patton, who has worked extensively with John Zorn, and eYe. (Also, another act to tour with Mr. Bungle - Incubus. >>;)
-Zorn, Patton, and eYe have all worked with with Masami Akita (aka Merzbow), one of the most prolific and notable noise 'music' producers in the world.
Which leads us all in a big circle - from that group I can find a lot more stuff. I can link Buckethead to Estradasphere (a genre defying instrumental group), and them to Liquid Tension Experiment, and them to Dream Theater - thus providing the methodology through which I came to acknowledge the existence of a lot of these artists. It's not always a straight line, I guess.
My reccomendation to people is to follow connections - you never know what kind of amazing stuff you might wind up with if you look for it.
Today's song is probably something people have heard a lot lately, mostly due to the fame of Guitar Hero 2 amongst... well, just in general. So that means people might know it. I could pick something less cliche', but these are just good songs, and I see no reason not to let people know they're around. Plus, I'm not yet familiar enough with Buckethead (or Primus, tomorrow) to show people other stuff. So deal.
Today's song of the day: Jordan by Buckethead. Enjoy. Link is Here.
Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts
Wednesday, April 25, 2007
Friday, February 9, 2007
It's Weird, It's Better
So I've been listening to a lot of more abrasive, avant-garde music. That's ranging stuff from like, free-jazz combos to Japanese performance art-experimental rock and noise music. Really, I'm surprised that the human brain can even process this stuff and like it - so far it's turned every other person I've exposed it too quite off, but one can always hope.
As far as I can figure, free-jazz is a delicious amalgamation of the things that make jazz great, but mindless flailing on respective instruments to create a sometimes unlistenable atmosphere of sound. I've heard it compared to throwing a saxophone down the stairs. It's the most fun form of music to play, because you can do whatever you want, but apparently not so fun to listen to. Well, actually, I have to disagree with that.
In my scouting around of the internet, I did a lookup on Mike Patton - he's the vocalist for the bands Mr. Bungle and Faith No More, both disbanded, and both which did crazy, insane stuff music wise. Both are beyond description, but for a good approximation of Mr. Bungle, think funk-metal fused with mathcore, and samplings of every other genre in existence. Haven't listened to Faith No More that much, so I couldn't tell you what to expect. Mike Patton did guest vocals for the Dillinger Escape Plan album I reccomended a while ago - Irony Is a Dead Scene, which, exasperatingly, is my favorite album of theirs. It's representitive of their work as a whole, sure, but a vocalist that wasn't at all constant. Anyway...
In looking about Mike Patton, and with some help from some online aquaintances, I got turned on to two bands - Naked City and The Boredoms. I'd already heard of the latter, but the former was completely new to me.
Both of the groups are... kind of odd. They both feature, to an extent, the same vocalist - all though in this instance, the word 'vocalist' might be a stretch. Yamatsuka Eye (otherwise referred to as eYe) is the closest thing The Boredoms have to a front man, and has the weirdest 'singing' style I've ever heard, consisting of distorted grunts, squeaks, wails, and all sorts of crazy shit - with occasional real singing. He's also the vocalist on a great many Naked City albums... so you see, everything has connected. His main group, The Boredoms is what you would call... experimental avant-garde Japanese noise rock. They do a lot of weird things, ranging from albums full of noise, to tribal drum patterns, to freaky performance art.
Naked City is the reason I'm making these connections, however. Basically, it consists of some amazingly talented and odd instrumentalists (or performers, in eYe's case) putting together experimental 'composition workshop' albums that are a total earfuck - in a good way. The band is fronted by John Zorn, who is in fact the recipient of the MacArthure "genius grant" - for his genre transcending performances and virtuoso saxophone playing.
The band is a total head-trip. I really can't describe a lot of their sound - it's certainly odd. Most people I showed it to would pronbably 'wtf' their brains out, but there's some more coherent stuff on their albums, especially their original self-titled. For that reason, I'm uploading said-album, but I really reccomend checking out the other albums - any requests, and I will delve out the other two I have.
Free-jazz and experimental avant-garde projects aren't for everyone, but it's certainly a very diverse range in music to cover - so, without further ado, Naked City. Upload is here.
Later, I'll return for a real post - one on my thoughts about noise and experimental music, and how musical trends look for the future.
As far as I can figure, free-jazz is a delicious amalgamation of the things that make jazz great, but mindless flailing on respective instruments to create a sometimes unlistenable atmosphere of sound. I've heard it compared to throwing a saxophone down the stairs. It's the most fun form of music to play, because you can do whatever you want, but apparently not so fun to listen to. Well, actually, I have to disagree with that.
In my scouting around of the internet, I did a lookup on Mike Patton - he's the vocalist for the bands Mr. Bungle and Faith No More, both disbanded, and both which did crazy, insane stuff music wise. Both are beyond description, but for a good approximation of Mr. Bungle, think funk-metal fused with mathcore, and samplings of every other genre in existence. Haven't listened to Faith No More that much, so I couldn't tell you what to expect. Mike Patton did guest vocals for the Dillinger Escape Plan album I reccomended a while ago - Irony Is a Dead Scene, which, exasperatingly, is my favorite album of theirs. It's representitive of their work as a whole, sure, but a vocalist that wasn't at all constant. Anyway...
In looking about Mike Patton, and with some help from some online aquaintances, I got turned on to two bands - Naked City and The Boredoms. I'd already heard of the latter, but the former was completely new to me.
Both of the groups are... kind of odd. They both feature, to an extent, the same vocalist - all though in this instance, the word 'vocalist' might be a stretch. Yamatsuka Eye (otherwise referred to as eYe) is the closest thing The Boredoms have to a front man, and has the weirdest 'singing' style I've ever heard, consisting of distorted grunts, squeaks, wails, and all sorts of crazy shit - with occasional real singing. He's also the vocalist on a great many Naked City albums... so you see, everything has connected. His main group, The Boredoms is what you would call... experimental avant-garde Japanese noise rock. They do a lot of weird things, ranging from albums full of noise, to tribal drum patterns, to freaky performance art.
Naked City is the reason I'm making these connections, however. Basically, it consists of some amazingly talented and odd instrumentalists (or performers, in eYe's case) putting together experimental 'composition workshop' albums that are a total earfuck - in a good way. The band is fronted by John Zorn, who is in fact the recipient of the MacArthure "genius grant" - for his genre transcending performances and virtuoso saxophone playing.
The band is a total head-trip. I really can't describe a lot of their sound - it's certainly odd. Most people I showed it to would pronbably 'wtf' their brains out, but there's some more coherent stuff on their albums, especially their original self-titled. For that reason, I'm uploading said-album, but I really reccomend checking out the other albums - any requests, and I will delve out the other two I have.
Free-jazz and experimental avant-garde projects aren't for everyone, but it's certainly a very diverse range in music to cover - so, without further ado, Naked City. Upload is here.
Later, I'll return for a real post - one on my thoughts about noise and experimental music, and how musical trends look for the future.
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